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Whatever one's estimation of the relative merits of Sobel's and Pollock's work at this moment in the unfolding narrative of modern art, as history would have it, Pollock would prove to be in the far stronger position to advance the technique of drip painting, whether it was his invention or not. Just as Sobel was gaining traction as a creative force in New York – no small feat for a female artist of her or any generation – her circumstances suddenly changed dramatically, and in ways that effectively removed her from the world of art completely. In 1946, the same year that she opened a solo show at Guggenheim's Art of the Century gallery, her husband Max, moved the family from Brooklyn to Plainfield, New Jersey, in order to be nearer to his costume jewellery enterprise. Unable to drive, Sobel quickly found herself cut off from the ebb and flow of the art scene in which she had only just become an important player.
โพสต์โดย : bao
