In Still Life with Plaster Cupid (c 1894), Cézanne explored the magic and strangeness of human perception even further. In this Alice-in-Wonderland scene, the space makes no logical sense: the studio floor, depicted on the right-hand side, has a drunken upwards tilt, and the apple at the far edge of the room is the same size as those on the dish in the foreground.
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